Sale 2084
| Philadelphia
| Philadelphia
Estimate$4,000 – $6,000
Provenance:
Mary Louisa, Lady Mordaunt (consigned to Christie's in 1948 following her death although the picture does not appear to have been offered for sale)
Sold: Christie's, London, December 10, 1971, Lot 78
Richard Green, London (labeled verso)
Elizabeth Collis
Sold: Christie's, London, July 11, 1997, Lot 16
Sir John Mordaunt, 7th Bt.(c. 1734-1823), who was Member of Parliament for Warwick, married Elizabeth, daughter and co-heir of Thomas Prowse, of Axbridge, Somerset, in 1769. Three of their daughters are shown in the present painting: Catherine, the eldest of the three, married Rev. Francis Mills of Barford, Warwickshire, in 1811; Charlotte married Richard Hippisley Tuckfield of Fulford, Devon, in 1800 and died in 1848; and Susan, the youngest, married William, 2nd Earl of St. Germans, as his fourth wife in 1814 and died in 1830.
NOTE:
Charlecote Antiques was an anchor of Kansas City’s historic Crestwood neighborhood across four decades. The shop represented a multi-generational passion for scholarship and collecting with an emphasis on British Furniture and Decorative Arts. Opened in 1980 by Kaye Francis Miller, Charlecote built a reputation for sourcing fine 18th century furniture directly from England with a keen eye on craftsmanship and form. Todd Miller soon followed his mother into the business and further developed Charlecote into a world-class retailer. Todd loved taking trips to Europe to find beautiful and unique items to bring back to the shop. He became a staple of the art fair circuit around the nation and endeared himself to both customers and fellow dealers with his knowledge and willingness to teach others.
Framed: 38 x 33 inches.
Moderate deposits of surface dirt and dust; canvas is lined and passages of the paint are pressed due to the lining process; network of craquelures throughout, which appear stable; one pinpoint paint loss along the upper right edge; pinpoint paint droplets scattered throughout; one vertical scuff mark in upper left corner, no greater in length than 3 inches; a very faint, curving scratch in the center left, within the background; areas of inpainting scattered throughout, but mostly only visible under close examination. Under UV: thick varnish layer fluoresces green and prohibits viewing of all inpainting; however, strokes of inpainting are evident in areas of the girls' dresses, as well as in small spots in the ground below them. Additional images available upon request.
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Madalina Lazen
VP Head of Department, Old Masters & 19th Century European Art