Lot 139   Rain-In-The-Face (Lakota, 1835-1905) untitled, Sundance Scene

Lot 139 | Rain-In-The-Face (Lakota, 1835-1905) untitled, Sundance Scene

Rain-in-the-Face: A Warrior’s Own Hand

Few figures of the 19th century carried a reputation as powerful as Rain-in-the-Face (c. 1835–1905). A Hunkpapa Lakota warrior and leader, he became one of the most famous Native figures associated with the “Indian Wars.”

New & Noteworthy

By Danica Farnand, Vice President, Head of Department, Native American Art

This work, pencil and watercolor on cardstock, depicts a warrior pierced and bound to a Sundance pole. Rather than a conventional portrait, the drawing evokes an act of ceremony. The scene is rendered with dramatic movement and intensity—the warrior twists against the vertical pole, his body conveying both physical endurance and spiritual resolve.

The drawing, which has descended through the Sacks family, is inscribed on the back: “Painting made by Rain-in-the-Face – himself / C.O. Sacks Sr. – Who knew him personally – D.F.S.”

Lot 139 | Rain-In-The-Face (Lakota, 1835-1905) untitled, Sundance Scene

Lot 139 | Rain-In-The-Face (Lakota, 1835-1905) untitled, Sundance Scene

Few figures of the 19th century carried a reputation as powerful as Rain-in-the-Face (c. 1835–1905). A Hunkpapa Lakota warrior and leader, he became one of the most famous Native figures associated with the “Indian Wars.” By the 1890s, the warrior who had once moved freely across the Plains had become a living symbol of a rapidly changing world.

In 1893, that world came to Chicago.

The World’s Columbian Exposition drew millions of visitors to the city, where dazzling architecture, electric lights, and technological wonders were presented alongside exhibitions of Indigenous peoples and cultures. Among the attractions was Sitting Bull’s cabin, purchased and transported to the fairgrounds by three entrepreneurs, along with a collection of Lakota objects. Rain-in-the-Face was hired to appear at the cabin, giving visitors a rare opportunity to meet one of the legendary figures of the American West.

It was here that Rain-in-the-Face and Clarence O. Sacks Sr. (1878–1960) are believed to have crossed paths. According to Sacks’s obituary, at the age of 16 he joined “Buffalo Bill’s Wild West Show” as a rider, placing him within the colorful world of cowboys, scouts, Native performers, and frontier personalities surrounding Cody.

Preserved through the Sacks family, the drawing offers a rare and intimate connection to Rain-in-the-Face, not simply as a warrior, but as a man whose own artistic expression provides a glimpse into his ceremonial world at a moment of profound change in American history.

INQUIRIES: danicafarnand@freemansauction.com
VIEWING: September 21 – 23
1550 W Carroll Avenue, Chicago, IL

TO BE OFFERED SEPTEMBER 24, CHICAGO
Rain-In-The-Face (Lakota, 1935-1905)
untitled, Sundance Scene
cardstock painted with a sense of movement and motion; image depicts a warrior pierced and tied to a Sundance pole
Estimate: $3,000 – 4,000

Collected by Clarence O. Sacks, Sr., and descended through the family.

Native American Art, Including Selections from the Larry Ness Photography Collection

Sale 6541

Native American Art, Including Selections from the Larry Ness Photography Collection

Sep 24 | 10:00 AM CDT
Live | Chicago
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Danica Farnand

Vice President, Head of Department, Native American Art

Ms. Farnand has helmed the Native American Art department since its inception at Cowan's Auctions in 2003, developing it into one of the most respected and successful departments in the category. Throughout her career, Ms. Farnand has sold over $50 million in Native Art, and has created focused and curated auctions for 19th and 20th century Native works, Jewelry, and Modern and Contemporary Native and Indigenous Arts. A distinguished expert in her field, Ms. Farnand is a respected voice in the ongoing dialogue between Native American tribal groups and the collecting community regarding culturally significant objects, serving as a board member of the Authentic Tribal Art Dealers Association (ATADA) since 2019, and spearheading the effort to return a sacred Ahayu:da wooden figure to its rightful home in the Zuni Pueblo in New Mexico in 2020. She has also been an appraiser on Antiques Roadshow since 2016. Ms. Farnand holds an M.A. in Anthropology from the University of Cincinnati and a B.A. in Art History from John Carroll University.