A Group of 54 Books

Greek, Etruscan, and Roman Sculpture, dating from 1896-2014

Comprising:

G. M. A. Richter, The Archaic Gravestones of Attica (London 1961);

G. M. A. Hanfmann and N. H. Ramage, Sculpture from Sardis: The Finds through 1975 (Harvard University Press 1978);

R. Dreyfus and E. Schraudolph (Eds.), Pergamon. The Telephos Frieze from the Great Altar (Fine Arts Museums of San Francisco and the Metropolitan Museum of Art Exhibition Catalogue 1996);

A. de Ridder, Catalogue des Bronzes Trouvés sur L’Acropole d’Athenes (Paris 1896);

M. Conticello-De’Spagmolis, Le Sculture del Museo Diocesano di Gaeta (Rome 1986);

M. Maas, Grieschische und Römische Bronzewerke der Antikensammlungen München (Munich 1979);

F. Matz, Eine bacchische Gruppe (Wiesbaden 1952);

G. M. A. Richter Korai: Archaic Greek Maidens. A Study of the Development of the Kore Type in Greek Sculpture (London 1968, Reprinted 1988);

P. De La Coste-Messelière, Les Trésors de Delphes (Paris 1950);

E. Gullberg and P. Astrom, The Thread of Ariadne. A Study of Ancient Greek Dress (Götteborg 1970);

R. R. R. Smith, Hellenistic Sculpture (London 1991);

A. Alkerström, Architektonische Terrakottablatten in Stockholm (Lund 1951);

A. Vostchinina, Musée de L’Hermitage. Le Portrait Romain: Album et Catalogue Illustré de Toute la Collection (Leningrad Aurora Editions 1974);

L. Budde, Severisches Relief in Palazzo Sacchetti (Berlin 1955);

J. Rogers Davis and T. B. L. Webster, Cesnola Terracottas in the Stanford University Museum (Lund 1964);

D. Buitron-Oliver (Ed.), The Greek Miracle. Classical Sculpture from the Dawn of Democracy, the Fifth Century B.C. (The National Gallery of Art Washington and The Metropolitan Museum of Art Exhibition Catalogue 1992);

B. R. Brown, Anticlassicism in Greek Sculpture of the Fourth Century B. C. (New York University Press 1973);

B. S. Ridgway, Greek Sculpture in The Art Museum, Princeton University: Greek Originals, Roman Copies and Variants (Princeton 1994);

B. Neutsch, Studies zur Vortangräisch-Attischen Koroplastik (Berlin 1952);

A. Brodkey, Matilda. The Sargente Idol at The Metropolitan Museum of Art New York (Rome, Fondazione Sargente Group 2014);

J. Boardman, Greek Sculpture: The Archaic Period (London 1978 and 1991);

S. Brunnsaker, The Tyrant-Slayers of Kritios and Nesiotes. A Critical Study of the Sources and Restorations (Stockholm 1971);

G. Traversari, L’Altorelievo di Afrodite a Cirene (Rome 1959);

E. La Rocca, L’Auriga dell’ Esquilino (Rome 1987);

The Horses of San Marco, Venice (London, The Royal Academy Exhibition Catalogue 1977);

E. Milleker and J. Coscia, Light on Stone. Greek and Roman Sculpture in The Metropolitan Museum of Art (York University press 2003);

C. Davaras, Die Statue aus Astritsi. Ein Beitrag zur dädalischen Kunst auf Kreta (Bern 1972);

F. L. Bastet, Beeld en Relief: Greek and Roman Sculpture in the Rijksmuseum Leiden (Gravenhage 1979);

W. H. Peck, “A New Aphrodite in Detroit” in Bulletin of the Detroit Institute of Arts Vol. 54:3 (1976);

J. Frel, The Getty Bronze (J. Paul Getty Museum, Malibu 1982);

M. M. McCarty, Ancient Bronzes. A Guide to the York Collection (Yale University Art Gallery 2006);

I. Jenkins and G. B. Waywell, Sculptors and Sculpture of Caria and the Dodecanese (London, The British Museum 1971);

K. P. Erhart and others, Roman Portraits: Aspects of Self and Society, 1st Century B.C.-3rd Century A.D. (J. Paul Getty Museum Exhibition Catalogue 1980);

G. Hafner, Das Bildnis der Q. Ennius. Studien zur römischen PorträtKunst des 2. Jh. V. Chr. (Baden-Baden 1968);

C. Boehringer and others, Die Skulpturen der Sammlung Wallmoden (Göttuigen University Archaeological Institute 1979);

A. Andrén, Osservazioni sulle Terrecotte Architettonische Etrusco-Italische (Stockholm 1971);

G. Caputo, Lo Scultore del Grande Bassoriliero con La Danza delle Mendali in Tolemaide di Cirenaica (Rome 1948);

G. Koch and K. Wright, The J. Paul Getty Museum, Catalogue of the Collections: Roman Funerary Sculpture (Malibu 1988);

Museo Nazionale Romano: Pallazo Altemps (Rome 1997);

J. Charbonneaux, “Portrait of a Young Prince of the Family of Augustus,” bound together with other articles including V. H. Poulsen, “A Note on the Licinian Tomb,” and D. K. Hill, “A Greek Shepherd,” in Journal of the Walters Art Gallery Vol. XI (1948);

H. F. von Heintze, Die Antiken Porträts der Landgräflich-Hessischen Sammlungen in Schloss Fasanerie bei Fulda (Meinz 1968);

A. M. Rasowsky, Images Imperii. Griechische und römische Bildnisse einer norddeutschen Sammlung (Mainz 2006);

C. C. Vermeule, Greek and Roman Sculpture in Gold and Silver, (Boston Museum of Fine Arts 1974);

C. C. Vermeule, Greek and Roman Sculpture from the Boston Museum of Fine Arts (Corpus Christi, Art Museum of South Texas Exhibition Catalogue 1975);

B. F. Cook, The Townley Marbles (London, British Museum Publications 1985);

M. L. Anderson and L. Nista, Radiance in Stone. Sculptures in Colored Marble from the Museo Nazionale Romano (Atlanta, Emory University Museum Exhibition Catalogue 1989);

G. A. and O. Chenel, Corpus: Sculpture Egyptienne, Grecque et Romaine (Paris, Galerie Chenel Exhibition Catalogue 2017);

L. Guerini, Palazzo Mattei di Giove: Le Antichità (Rome 1982);

L. Guerini and C. Gasparri, Il Palazzo del Quirinale (Rome 1985);

A. Guiliano, Museo Nazionale Romano. Le Sculture Vol. I:2 (Rome 1981);

N. M. Kontoleon, Aspects de la Grèce Préclassique (Paris 1970);

F. Camuset-Le Parzou, Catalogue du Musée Carnavalet: Figurines Gallo-Romaines en Terre Cuite (Paris 1985);

U. Hausmann (Ed.), Der Tübinger Waffenläufer (Tübingen 1977);

G. S. Merker, The Hellenistic Sculpture of Rhodes (Göteborg 1973).