Ancient Egyptian Art and Archaeology, dating from 1949-2017
Comprising:
J. Walker, Egyptian Sculpture from the Gulbenkian Collection (Washington, D.C., National Gallery of Art 1949);
R. David, The Macclesfield Collection of Egyptian Antiquities (Warminster 1980);
S. Aufrère, Collections des Musées départamentaux de Seine-Maritime: Collections Egyptiennes (Rowen 1987);
B. V. Bothmer and J. L. Keith, Guide to Egyptian and Classical Art at the Brooklyn Museum (Brooklyn, N.Y. 1974, Revised Edition);
C. Aldred, Akhenaten: Pharoah of Egypt, A New Study (New York 1968);
P. Montet, Lives of the Pharoahs (Cleveland and New York 1968);
K. Michalowsky, Great Sculpture of Ancient Egypt (New York 1978);
C. Aldred, Egyptian Art in the Days of the Pharoahs, 3100-320 B.C. (London 1990);
W. H. Peck and J. G. Ross, Egyptian Drawings (New York 1978);
K. H. Priese, The Gold of Meroe (New York, The Metropolitan Museum of Art Exhibition Catalogue 1993);
C. Aldred, Akhenaten and Nefertiti (New York, The Brooklyn Museum 1993);
The Ancient World: From Mesopotamia to Coptic Egypt (London, Oliver Forge/Brendan Lynch Exhibition Catalogue 2017);
G. Nosan and E. Feery (Eds.), Art of the Two Lands: Egypt from 4000 B.C. to 1000 A.D. (Isis, New York Exhibition Catalogue 2006);
S. D’Auria, P. Lacovara and C. H. Roehnig, Mummies and Magic: The Funerary Arts of Ancient Egypt (Boston, Museum of Fine Arts Exhibition Catalogue 1988);
D. O’Connor, D. Silverman and others, The Egyptian Mummy: Secrets and Science (Philadelphia, The University Museum of the University of Pennsylvania 1980);
R. Fazzini, Images for Eternity: Egyptian Art from Berkeley and Brooklyn (San Francisco, M. H. de Young Memorial Museum Exhibition Catalogue 1975);
C. Desroches-Noblecourt, Tutankhamen: Life and Death of a Pharoah (London 1965);
C. H. Roehrig, R. Dreyfus and C. A. Keller (Eds.), Hatshepsut: From Queen to Pharoah (New York, The Metropolitan Museum of Art Exhibition Catalogue 2005);
H. G. Fischer, The Tomb of ‘IP at El Saff (New York, The Metropolitan Museum of Art 1996);
A. K. Capel and G. E. Markoe (Eds.), Mistress of the House, Mistress of Heaven: Women in Ancient Egypt (The Cincinnati Art Museum Exhibition Catalogue 1996);
Ancient Art: Gifts from the Norbert Schimmel Collection (New York, The Metropolitan Museum of Art Bulletin, Spring 1992);
A. R. Kozloff and B. M. Bryan, Egypt’s Dazzling Sun: Amenhotep III and his World (The Cleveland Museum of Art Exhibition Catalogue 1992);
M. D’Alton, The New York Obelisk, or How Cleopatra’s Needle Came to New York and What Happened When It Got Here (New York, The Metropolitan Museum of Art 1993);
W. Kelly Simpson, The Face of Egypt: Permanence and Change in Egyptian Art (Katonah, New York, The Katonah Gallery Exhibition Catalogue 1977);
E. Riefstahl, Ancient Egyptian Glass and Glazes in The Brooklyn Museum, (New York, The Brooklyn Museum 1968);
B. V. Bothmer, Egyptian Antiquities from the Collection of Christopher G. Bastis (Mainz an Rhein 1988);
W. H. Peck, “Offering for the Deceased,” bound together with other articles (including Islamic ceramics) in Bulletin of the Detroit Institute of Arts Vol. 58:2 (1980);
J. L. Domerca, Catalogue d’Antiquités Egyptiennes (Geneva, Sycamore Ancient Art Gallery 2007);
K. Wessel and others, Koptische Kunst. Christentun am Nil (Zurich Kunsthaus Exhbition Catalogue 1963);
J. L. Cenival, Ägypten: Das Zeitalter der Pharaonen (Fribourg 1964);
J. Fletcher, Chronicle of a Pharoah: The Intimate Life of Amenhotep III (Oxford Univeristy Press 2000);
A. Badawy, A History of Egyptian Architecture: The Empire (the New Kingdom), from the Eighteenth Dynasty to the End of the Twentieth Dynasty, 1580-1085 B.C. (University of California Press 1968);
D. P. Silverman, Masterpieces of Tutankhamun (New York 1978);
D. Stewart, The Pyramids and Sphinx (New York 1971);
A. Osman, Stranger in the Valley of the Kings (London 1987);
D. B. Redford, Akhenaten: The Heretic King (Princeton University Press 1984);
S. Walker (Ed.), Ancient Faces, Mummy Portraits from Roman Egypt (New York, The Metropolitan Museum of Art Exhibition Catalogue 2000);
S. R. K. Glanville (Ed.), The Legacy of Egypt (Oxford, Clarendon Press 1963);
G. Robins, Reflections of Women in the New Kingdom: Ancient Egyptian Art from The British Museum (Atlanta, Michael C. Carlos Museum Emory University Exhibition Catalogue 1995);
C. W. Wassef and A. Guatti, Egypt (New York, Scala Books 1983);
A. Mekhitarian, Egyptian Painting (Geneva, Skira Editions 1978);
E. R. Russman, W. Kelly Simpson and others, Ancient Egypt: Discovering Its Splendors (Washington D.C. 1978);
P. F. Dorman, P. O. Harper and H. Pittman, Egypt and the Near East at The Metropolitan Museum of Art (New York, The Metropolitan Museum of Art 1987);
J. Tyldesley, Egypt. How a Lost Civilization was Rediscovered (University of California Press 2005);
T. G. H. James, Tutankhamun. The Eternal Splendor of the Boy Pharoah (Revised Edition, New York 2009);
C. H. Roehrig, Life Along the Nile. Three Egyptians of Ancient Thebes (New York, The Metropolitan Museum of Art 2002);
T. G. H. James and W. V. Davies, Egyptian Sculpture in the British Museum (London 1983);
Egyptian Antiquities in the Collection of the Royal Egyptian Embassy (Washington D.C. 1954).
