Alfred Sessler

(American, 1909–1963)

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, 1933

oil on canvas

signed A. Sessler and dated (lower right)

20 x 17 inches.

Property from the Collection of Helena Szepe, Tampa, Florida

Exhibited:

Milwaukee, Wisconsin, Milwaukee Art Institute, 20th Annual Exhibit of Wisconsin Art, March 30 - April 30, 1933

Framed: 22 x 19 inches.
Artwork has recently been conserved, which included removing yellowed varnish, stabilizing craquelures, minor inpainting, and edge lining canvas margins. Faint craquelures and stretcher bar lines visible along upper edge and in center right; craquelures scattered throughout, primarily in lower half of surface. Under UV, inpainting visible in upper left corner; two areas in center; and small strokes in lower center. Additional image available upon request.

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As the head of Hindman’s Fine Art Department, Mr. Stanfield is instrumental in bringing in major consignments from private collectors, estates, dealers and institutions. He has led the department to dozens of auction records, with a particular focus on Chicago Modernism. Mr. Stanfield has played an integral role in the development of the American & European and Post War & Contemporary Art categories, with the most successful year for the department in company history coming in 2021. He also oversaw a house record for total sales for a week of Fine Art auctions in May 2022. Mr. Stanfield is also the lead auctioneer for the Fine Art sales at Hindman. Prior to returning to Hindman in 2019, he was at Toomey & Co. for eight years, where he oversaw important collections including the estate of Candice B. Groot, the collection of Governor Jim Thompson, and the estate of Robert E. Beck. Mr. Stanfield earned a BA from the University of Kansas where he studied Art History.

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Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

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