[CHINESE ART--PAINTING & CALLIGRAPHY]
A collection of 14 illustrated reference works and catalogues pertaining to Chinese painting & calligraphy, comprising:

BARNHART, Richard M. Li Kung-lin's Classic of Filial Piety. Metropolitan Museum of Art, 1993.--BRIESSEN, Fritz van. The Way of the Brush: Painting Techniques of China and Japan. Tuttle, 1998.--CHAVES, Jonathan. The Chinese Painter as Poet. China Institute, 2000.--FONG, Wen. Beyond Representation: Chinese Painting and Calligraphy 8th-14th Century. Metropolitan Museum of Art, 1992.--HARRIST, Robert E. Jr. & Wen FONG. The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Princeton University Art Museum.--HEARN, Maxwell. Cultivated Landscapes: Chinese Painting from the Collection of Marie-Hélène and Guy Weill. Metropolitan Museum of Art, 2002.--The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects. Sydney Moss, Ltd. 1986.--LITTLE, Stephen. Taoism and the Arts of China. Art Institute of Chicago, 2000.--Chinese Art Treasures. Skira, 1961.--Dreams of Spring: Erotic Art in China from the Bertholet Collection. Pepin Press, 1997.--SULLIVAN, Michael. The Arts of China (Third Edition). University of California Press,1984.--SZE, Mai-mai. The Way of Chinese Painting. Random House, 1959.--THORP, Robert L. & Richard Ellis VINOGRAD. Chinese Art & Culture. Harry N. Abrams, 2001.--Three Thousand Years of Chinese Painting. Yale University, 1997.

Property from a Private Chicago Collection

[CHINESE ART--PAINTING & CALLIGRAPHY]A collection of 14 illustrated reference works and catalogues pertaining to Chinese painting & calligraphy, comprising:

[CHINESE ART--PAINTING & CALLIGRAPHY]
A collection of 14 illustrated reference works and catalogues pertaining to Chinese painting & calligraphy, comprising: