Three Pierre Cardin Dresses, 1960s-1970s

This lot includes three dresses. The dress on the far right is attributed to the collection of Isabel Nash Eberstadt, writer, socialite, and fashion icon. Daughter of poet Ogden Nash and wife of photographer Frederick Eberstadt, she made a name in her own right, serving as a muse for Andy Warhol and for her associations with prominent members of New York Society.

THE FIRST
Ivory silk long sleeve shift dress with draped wrap front, shoulder capelet, and center back zipper closure.
Label: Pierre Cardin
Size Label: N/A
Style/Serial No.: N/A

Approximate Measurements:
Shoulders: 14.5"
Chest: 33"
Waist: 35"
Hips: 38"
Length ( high shoulder point to hem): 37.5"
Sleeve (center back neck to hem): 26.25"

THE SECOND
Gray polyester sheath dress with box neckline, flounced cap sleeves, gathered skirt, and tie belt waist band.
Label: Pierre Cardin / Paris / New York
Size Label: 8
Style/Serial No.: N/A

Approximate Measurements:
Shoulders: 15.75"
Chest: 34"
Waist: 36.5"
Hips: 39.5"
Length (high shoulder point to hem): 43.35"
Sleeve (center back neck to hem): 8"
Belt Length: 74.25"

Belt Width: 1"

THE THIRD
Cool gray wool day dress with dropped shoulder cap sleeves, straight fit skirt, and left side closure with tie belt.
Unlabeled, Attributed to: Pierre Cardin
Size Label: N/A
Style/Serial No.: N/A

Approximate Measurements:
Shoulders: 15.75"
Chest: 16.5"
Waist: 28"
Hips: 36"
Length (high shoulder point to hem): 39.25"
Sleeve (center back neck to hem): 9"
Belt Length: 74.5"

Belt Width: 0.75"

Property from the Collection of a Midwest University

Condition:

THE FIRST
The overall condition is good structurally though the asymmetrical flounce is loose and the hem of it is detaching and there is a small spot on center back near zipper.

THE SECOND
The overall condition is good structurally though there is a dark mark on the back of dress and one small water mark on front.

THE THIRD
The overall condition is very good though there are a few small tears and soiled spots within the bodice lining.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email [email protected] with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email for any additional information or questions you may have regarding this lot.

Timothy Long

Director, Senior Specialist, Couture & Luxury Accessories

[email protected]312.334.4222

Mr. Long has nearly 20 years of experience as a curator of fashion and decorative arts in museums including the Museum of London, the Museum at the Fashion Institute of Technology in New York, and the Chicago History Museum. At Hindman, he works with individual clients, collectors, dealers, and museums to bring to auction collections of couture and luxury accessories. Mr. Long’s recent publications include Charles James: Designer in Detail and a chapter on the same designer in London Couture: British Luxury 1923–1975, both published by V&A Publishing.

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Three Pierre Cardin Dresses, 1960s-1970s

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