Prints & Multiples

Sale 871

Live

| Chicago

May 5 | 11:00 AM EDT

Live

| Chicago

Lot 31

Lot 31

Untitled (Red Curve), 1996-1997

Status:

Closed

Estimate: $5,000 - $7,000

Estimate$5,000 – $7,000

Status

Closed

Ellsworth Kelly

(American, 1923-2015)

Untitled (Red Curve), 1996-1997

screenprint

signed and numbered 26/47 in pencil

16 1/4 x 19 1/2 inches.

Property from the Collection of Martin Kedzior, Winnetka, Illinois

Literature:

Axsom 274; Gemini G.E.L. 1705

Not examined out of frame; all edges visible; three slight impressions along upper edge presumably from hinging on verso of sheet; otherwise appears to be in good condition. Please request additional images.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email for any additional information or questions you may have regarding this lot.

To request further details about this lot, please email conditionreports@freemansauction.com

Please contact the Auction Specialist for details.

As the head of Hindman’s Fine Art Department, Mr. Stanfield is instrumental in bringing in major consignments from private collectors, estates, dealers and institutions. He has led the department to dozens of auction records, with a particular focus on Chicago Modernism. Mr. Stanfield has played an integral role in the development of the American & European and Post War & Contemporary Art categories, with the most successful year for the department in company history coming in 2021. He also oversaw a house record for total sales for a week of Fine Art auctions in May 2022. Mr. Stanfield is also the lead auctioneer for the Fine Art sales at Hindman. Prior to returning to Hindman in 2019, he was at Toomey & Co. for eight years, where he oversaw important collections including the estate of Candice B. Groot, the collection of Governor Jim Thompson, and the estate of Robert E. Beck. Mr. Stanfield earned a BA from the University of Kansas where he studied Art History.

Zack Wirsum

SVP, Head of Department, Post War and Contemporary Art

zacharywirsum@freemansauction.com 312.600.6069

Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

Monica Brown

Managing Director, Vice President, Fine Art, Head of Department, Prints and Multiples

monicabrown@freemansauction.com 303.825.1855

Ms. Brown rejoined the firm in 2019 as a senior specialist in the Fine Art department, where she has been the resident expert and Head of Sale for Prints and Multiples. She has over 17 years of art-market experience, most recently as founder of Monica Brown Fine Art. In addition to working for renowned auction houses, she has extensive knowledge in over five centuries of works on paper from her tenure at the Newberry Library in Chicago, and eight years of experience with one of London’s leading dealers of Pop Art editions.

Prints & Multiples

Untitled (Red Curve), 1996-1997

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