Henri Le Sidaner

(French, 1862-1939)

Flamande, c. 1899

graphite on paper

signed Le Sidaner (lower right)

7 ¼ x 3 ½ inches.

Property from the Miriam B. Swanson Trust, Chicago, Illinois

Provenance:

Galleries Maurice Sternberg, Chicago

Acquired directly from the above, December 1973

Literature:

Yann Farinaux-Le Sidaner, Le Sidaner: L'Oeuvre Peint et Grave, Paris, 1989, no. 846, p. 301, illus.

Lot essay:

The twilit gardens and hushed city scenes of Henri Le Sidaner’s artworks conjure a seductive, mysterious world. Throughout his career, Le Sidaner remained chiefly concerned with capturing atmospheric light and favored a subdued use of color, preferring nuanced greys and opals applied with uneven, dappled brushstrokes. Le Sidaner developed his distinctive lexicon during the 1890s, under the influence of Symbolism. On a formal level, he found a suitably harmonious, all-over treatment for his compositions in Impressionism. This dual aspect of his art was touched on by the critic, and his supporter, Camille Mauclair who wrote: "born out of Impressionism, [Le Sidaner] is as much the son of Verlaine than of the snowscenes of Monet" (C. Mauclair, Henri Le Sidaner, Paris, 1928, p. 12).

Born in 1862 in Mauritius, to Breton parents, in 1872 Le Sidaner’s family settled in Dunkirk, France. In 1882 he left for Paris to study at the École des Beaux-Arts under Alexandre Cabanel. However, Le Sidaner shortly after left because of artistic differences. He relocated to the Ètaples artist colony, which had a tradition of en plain air painting established by Charles-François Daubigny and of the local Deauville painter Eugène Boudin, a leading Post-Impressionist. In the late nineteenth-century numerous artists were drawn by the sand dunes, the atmospheric light and the remnants of an older France.

In 1895 Le Sidaner left Étaples and moved again to Paris, likely for career reasons. The Paris stay was short but significant, as in 1898 he eloped to Bruges with Camille Navarre, to whom he was subsequently married. For Le Sidaner the years in Bruges were pivotal to his subsequent artistic career. It was here that he painted a series of nocturnes exploring the gloaming light around dusk. Although many of these artworks omit figures, around 1899, the artist executed a series of drawings that depict a standing woman and child, of which Flamande is included. The finished figure of the woman in this drawing is seen in profile and dressed in traditional Flemish costume. A simple line sketch of a small child can be seen standing within her embrace.

Joseph Stanfield

Senior Vice President, Director, Fine Art

[email protected]312.280.1212

As the head of Hindman’s Fine Art Department, Mr. Stanfield is instrumental in bringing in major consignments from private collectors, estates, dealers and institutions. He has led the department to dozens of auction records, with a particular focus on Chicago Modernism. Mr. Stanfield has played an integral role in the development of the American & European and Post War & Contemporary Art categories, with the most successful year for the department in company history coming in 2021. He also oversaw a house record for total sales for a week of Fine Art auctions in May 2022. Mr. Stanfield is also the lead auctioneer for the Fine Art sales at Hindman. Prior to returning to Hindman in 2019, he was at Toomey & Co. for eight years, where he oversaw important collections including the estate of Candice B. Groot, the collection of Governor Jim Thompson, and the estate of Robert E. Beck. Mr. Stanfield earned a BA from the University of Kansas where he studied Art History.

Zack Wirsum

SVP, Head of Department, Post War and Contemporary Art

[email protected]312.600.6069

Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

Monica Brown

Managing Director, Vice President, Fine Art, Head of Department, Prints and Multiples

[email protected]303.825.1855

Ms. Brown rejoined the firm in 2019 as a senior specialist in the Fine Art department, where she has been the resident expert and Head of Sale for Prints and Multiples. She has over 17 years of art-market experience, most recently as founder of Monica Brown Fine Art. In addition to working for renowned auction houses, she has extensive knowledge in over five centuries of works on paper from her tenure at the Newberry Library in Chicago, and eight years of experience with one of London’s leading dealers of Pop Art editions.

American & European Art

Flamande, c. 1899

American & European Art

Flamande, c. 1899

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