A Chinese Painted Marble Inset Huanghuali Wood Tray

18th/19th Century

raised on a later stand.
Height 19 1/8 x width 12 1/5 x depth 12 1/5 inches.

Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky, offered without reserve

Provenance:

Bryan and Scott Jewelers Ltd., Colorado Springs, Colorado, 9 December 1995

Patricia Ann Black Smyth (1925-2018) was born in Kansas City, Missouri, the daughter of Ernest Bateman Black and Faye Bunyan Black. She attended Miss Crosby's School in Illinois and graduated from Wellesley College in Massachusetts, where she was a lifetime member of the Wellesley Friends of the Library Organization. Mrs. Smyth also served as a member of the Junior League of Kansas City, Missouri, and was a long-time docent at the Art Institute of Chicago. Hindman is thrilled to present Mrs. Smyth’s refined and diverse collection, which will be sold without reserve to benefit Berea College in Berea, Kentucky.

Berea College was founded in 1855 with the express mission of educating both women and men of all racial backgrounds. It is the South’s first racially integrated and co-educational college and is guided by the motto from Acts 17:26: “God has made of one blood all peoples of the earth.”

Only students with high academic promise and limited financial means are accepted, and every student receives a Tuition Promise Scholarship—no student pays tuition. As a Work College, every student works at least 10 hours per week to help pay for housing, meals and personal expenses. Berea students have the lowest amount of student debt in the country, and half graduate debt free.

Today, Berea serves over 1,600 students, the majority of which are from Kentucky and Appalachia, although its student body hails from over 40 states and 70 countries. Berea depends heavily on alumni and friends to continue to fulfill the no-tuition promise made to every student.

In overall fine and stable condition. Some water staining to the top perimeter of the wooden tray, one break in the lattice work of the tray and another section loose in its setting but remaining in place. Grime and deposit to the marble and instances of loss to enamel in the image, consistent with age. Additional images available upon request.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email for any additional information or questions you may have regarding this lot.

Corbin Horn

Vice President, Head of Department, European Furniture & Decorative Arts

corbinhorn@freemansauction.com 312.334.4214

Mr. Horn joined the firm in 2009 and has directed numerous sales of important collections, including those of Lilly Pulitzer, Lord Anthony and Lady Jacobs, Lars Bolander, Casa de Sueños in Miami Beach, and Villa Massei in Lucca, Italy. He has also achieved record results for consignments from prominent institutions, including the Toledo Museum of Art, the High Museum of Art, the Detroit Institute of Arts and the Minnesota Historical Society. Mr. Horn is a member of the Antiquarian Society of the Art Institute of Chicago and is an alumnus of the Attingham Trust.

Ben Fisher

Managing Director, Furniture and Decorative Arts

benfisher@freemansauction.com 312.447.3270

Mr. Fisher rejoined the firm in 2019 after working as a specialist in the American Furniture and Folk Art department at Sotheby’s New York. His areas of expertise include 18th, 19th, and 20th century American, Continental, and English furniture, decorative and folk art. Before coming to Hindman in 2013, Mr. Fisher worked in European Furniture and Decorative Arts in Philadelphia. He began his career working for a prints dealer focusing on works from the 16th through the 20th centuries.

Mike Intihar

Senior Director, Appraisals & Valuations, Midwest

mikeintihar@hindmanappraisals.com 312 280 1212

Mike Intihar is the Senior Director of Appraisals & Valuations, Midwest at Hindman Appraisals.

Mr. Intihar joined the firm in 1997, and he has expertise in 18th, 19th and early 20th-century Continental, English and American decorative arts and furniture. Mr. Intihar appraises and catalogues approximately 6,000 objects annually for auction and appraisal purposes, and he performs onsite appraisals at various appraisal fairs and events throughout the year. He attends international antique trade shows to assess the global demand for objects handled at auction and retail. Prior to working at Hindman, Mr. Intihar was a senior administrator for Sotheby’s, Chicago, and he began his career at Wolf’s Fine Art Auctioneers in Cleveland, Ohio.

Mike Intihar is the Senior Director of Appraisals & Valuations, Midwest at Hindman Appraisals.

European Furniture & Decorative Arts

A Chinese Painted Marble Inset Huanghuali Wood Tray

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