Reclining Nude on a Carpet and Sitting Nude on a Carpet | Freeman's

Reclining Nude on a Carpet and Sitting Nude on a Carpet | Freeman's

Philip Pearlstein

(American, b. 1924)

Reclining Nude on a Carpet and Sitting Nude on a Carpet

color lithograph

Reclining Nude on a Carpet: signed and inscribed in pencil and Sitting Nude on a Carpet: signed, dated, and numbered 28/100 in pencil

Largest: 24 3/4 x 34 inches.

Reclinging Nude on a Carpet
Sheet: 30 x 22 1/4 inches.
Unframed; sheet is hinged to cardboard backing on all four verso corners; distortion from hinges in upper right and left corners; moderate distortion and crease in upper center; two creases in proper right thigh of woman; small dark stain in lower left corner; slight folding of deckled edge along lower left.

Sitting Nude on a Carpet
Sheet: 24 1/2 x 34 1/8 inches.
Hinged to cardboard backing on all four verso corners; distortion from hinges in upper right and left corners; handling dents scattered throughout surface; two creases in upper left corner; crease in lower left corner; abrasions in lower left corner, lower center, and lower right corner.

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Hudson Berry

Hudson Berry

Director, Senior Specialist, Modern Design

[email protected]312.334.4217

Mr. Berry joined the firm in 2018, approaching the category of Design with a vision and aesthetic that has brought waves of accolades to the Hindman brand. He evaluates, researches, and catalogues over 3,000 works of design each year. Prior to joining Hindman, Mr. Berry served as co-founder of Condition Report Conservation, a conservation and restoration studio focused on 20th-century design, where he worked with some of the nation’s leading galleries, collectors, institutions, and design fairs.

Zack Wirsum

Zack Wirsum

SVP, Head of Department, Post War and Contemporary Art

[email protected]312.600.6069

Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

Nathan Brady

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