Asian Art Online

-The first 19th/20th century, of bulging ovoid form, the shoulders sloping to a waisted neck, with a flat lip and base surrounded by a protruding oval footrim, the amber-colored body suffused with gold flecks, with a ruby-red overlay, well-carved to depict magpies amid flowering prunus branches, the footrim also carved from the overlay.
-The second, 19th/20th century, of flattened circular form, with a flat lip, waisted neck and shallow oval protruding footrim, the body dark ruby-red, with a well-carved sky-blue overlay, depicting on one main side a chilong clambering through a bi disc, bats flying above, the reverse with cranes and a pavilion among clouds emerging from a three-toed frog, all above waves.
-The third, probably 20th century, of flattened pear-form with tall neck, flat lip, the opaque turquoise-geen body overlaid with black and yellow, carved with a goldfish among waterplants, verso with a crab and millet, underside with carved apocryphal Qianlong seal mark
-The fourth, 19th century, of tapering rounded-rectangular form, the shoulders sloping to a waisted neck, with a wide mouth, flat lip and protruding splayed oval footrim, the densely bubble-suffused body with black and caramel overlays depicting, on the main sides, lotus and Buddha's hand citron growing from antique vessels, the narrow sides with elongated mask-and-ring carvings, the footrim also carved from the overlay
-The fifth, 19th century, the five-color overlay glass of flattened ovoid form, the shoulders sloping to a slightly everted neck, with a flat lip and protruding oval footrim, the bubble-suffused bottle decorated with overlays in pink, red, blue and orange, carved as flowerheads connected by leafy green vines, the footrim also neatly carved from the green overlay
-The sixth, late 20th century. Double-overlay glass of pear-shape, the shoulders sloping to a slightly everted lipped neck, with a concave lip and protruding oval footrim, the striated cloudy-white and brown body thinly overlaid in caramel, covering the body with a geometric diaper-pattern ground and carved on the narrow sides with elongated mask-and-rings, as well as the footrim, and a second overlay on the main sides in dark brown to depict a groom pulling a reluctant horse, beneath lingzhi-shaped clouds.