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Women’s Work
|
- Sale 6563
Live
| Philadelphia
Mar 25 | 10:00 AM EDT
Live
| Philadelphia
Sale 6563
| Philadelphia
| Philadelphia
Estimate$2,000 – $3,000
Provenance:
Estate of the Artist
Rosenberg & Co., New York
Lot Note:
Beatrice Mandelman was an important figure of American modernism and a pioneering member of the group known as the Taos Moderns. Born in Newark, New Jersey, she studied at the Newark School of Fine and Industrial Art and later at the Art Students League in New York, where she encountered the city’s vibrant avant-garde milieu during the 1930s. Early in her career she worked for the Works Progress Administration, producing murals and prints that reflected the social and political concerns of the era. In 1944, Mandelman moved with her husband, the painter Louis Ribak, to Taos, New Mexico, where the couple became central figures in a new generation of artists that included Agnes Martin and Emil Bisttram. Within this environment, Mandelman developed a distinctive abstract language shaped by both European modernism (she studied in Paris under Fernand Léger in 1948) and the luminous colors and forms of the Southwestern landscape.
Over the course of a prolific career spanning more than five decades, Mandelman produced a diverse body of paintings, prints, collages, and works on paper characterized by bold color, rhythmic forms, and a playful synthesis of Cubist and Expressionist influences as exemplified in this sale by the present work as well as Lots 24 and 32.
Framed under plexiglass. The work was not examined out of its frame. Sheet is mounted onto a backing board at all four corners, floating in the frame. We notice residual pinholes in each corner of the sheet, especially numerous at upper left and bottom left corners. Although the work is hinged on the back, we notice the top and bottom outer edges of the sheet slightly curled up. The sheet stays otherwise relatively flat. With some white splatters at bottom center right and at center right: minimal, very residual and part of the artist's working process. Small paper accumulations at center - part of the working method. No evidence of loss, tear or restoration.
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