Property from the Estate of William Lipton

Marilyn and Shen Fu, Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collection in New York and Princeton, 1973; Geng zhi tu, 1999 replication; Xu Yang, Prosperous Hangzhou, 1986 replication; Abstraction and Expression in Chinese Calligraphy, Osaka-San Francisco Exchange Exhibition, Paintings from the Abe Collection and other Masterpieces of Chinese Art, 1970; Jacques Lemoine, Yao Ceremonial Paintings, 1982; Sydney L. Moss, Ltd., Escape from the Dusty World: Chinese Paintings and Literati Works of Art, 1999; Sewall Oertling, Painting and Calligraphy in the Wu-tsa-tsu, 1997; Hong Yingming, , 2002 replication; Agnes E. Meyer, Chinese Painting: As Reflected in the Thought and Art of Li Lung-mien,1923; The British Museum, The Art of Zhu Qizhan, 1995; T.C. Lai, A Scholar in Imperial China, 1970; Robert J. Maeda, Chieh-hua: Ruled-line Painting in China, 1975; Kiyohiko Munakata, Ching Hao's Pi-fa-chi: A Note on the Brush, 1974; Macau Museum of Art, Rules by the Masters: Paintings and Calligraphies by Ba Da and Shi Tao, 2005, 2 volumes.