Sale 6442
| Philadelphia
| Philadelphia
Estimate$2,000 – $4,000
Note:
This work is accompanied by a signed certificate of authenticity.
Provenance:
Bonakdar Jancou Gallery, New York.
Acquired from the above in 2001.
Lot Note:
Ernesto Neto is a Brazilian contemporary artist known for his immersive, sensorial installations that engage viewers through touch, smell, and sight. His works often explore themes of connection, community, and the relationship between the human body and space. Neto draws from organic forms and natural materials, incorporating elements that emphasize the physical and emotional experience of art.
One of his most recognizable techniques involves the use of translucent nylon stockings or fabric, stretched and filled with materials like styrofoam, spices, or sand. These forms, which often resemble drooping, bulbous shapes or suspended sacs, evoke a sense of fragility and bodily presence. The nylon membranes act as a skin-like barrier, emphasizing the tension between containment and release. By using common materials such as styrofoam beads to fill these structures, Neto enhances the tactile and sensory qualities of his work.
His installations frequently invite interaction, encouraging visitors to walk through, touch, or even lie within the environments he creates. Neto’s approach to sculpture is deeply rooted in the traditions of Brazilian Neo-concretism, prioritizing viewer participation and sensory engagement. Through his use of nylon and styrofoam, he challenges conventional boundaries between art, architecture, and the body.
width: 13 inches.
depth: 6 1/2 inches.
Dimensions are slightly variable given the elasticity of its materials.
There are some areas of stretching at the seam. There are two or three small circular tears in the nylon of the legs and several small scattered pulls in the nylon. There is a small light spot of brown discoloration to top half of sculpture. There is also a dark brown accretion with associated discoloration on other side of the top. Base is slightly yellow/ brown from the annatto. Please note that some very small fleck of annatto tend to fall from nylon base when sculpture is moved. See Specialist photos for details.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.
The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.
Please email lcolavita@freemansauction.com for any additional information or questions you may have regarding this lot.
To request further details about this lot, please email lcolavita@freemansauction.com