Lot Essay

This charming ink drawing of Joel Grey by David Hockney captures not only a moment of stillness but also a quiet intimacy between two artists and friends. From Grey’s private collection, the work is signed and inscribed by Hockney with characteristic wit and humility: "This is not too good / for Joel sitting so long / from David." Though the exact year and city (likely London or Paris) remain uncertain, the drawing emerged from one of Grey’s frequent visits abroad to reconnect with friends and fellow creatives.

Reflecting on the experience, Grey recalled, “He was drawing and I was sitting there. And he was a sweetheart, I mean a really, really simple, charming genius and I liked him a lot. And that was the result of that day.” The casual sketch session, born out of artistic instinct rather than formal portraiture, speaks to the natural rhythm of Hockney’s life: “They eat, they breathe, they draw,” Grey said, smiling. “So, I sat there like a good boy, which I am not.”

Despite Hockney’s self-deprecating inscription, the drawing is more than a quick study- it’s a testament to friendship, patience, and the effortless exchange of creativity between two artists at ease in each other’s company.

Framed: 25 3/4 x 23 inches.

Overall good to very good condition. Paper is slightly toned, with some darkening along extreme top and bottom edges below mat (unobtrusive to image area). There is some scattered surface soiling, particularly from scattered fingerprints - the most noticeable is a small section to left of artwork, at Joel's resting hand, which appears to be a cluster of discoloration from fingerprints. There are also a few soft, unobtrusive creases present along extreme edges, commensurate with gentle handling. Paper is hinged to mat with white adhesive to top two corners.

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