A Cotton and Wool Jacquard Coverlet by James Cunningham
(American, born Scottish, c. 1797-after 1865)
cotton and natural red wool. Inscribed Excelsior J Cunningham weaver New Hartford . Circa 1840-1845. New York, New Hartford Oneida County. 95 × 71 1/4 inches.
"James Cunningham lived on Oxford Road, then South Street, in New Hartford, Oneida County, New York, and worked with his partner, Samuel Butterfield. This business continued until 1835 when Samuel Butterfield decided to leave. Cunningham continued on his own. Cunningham's love of history is reflected in his designs. The well-known "Washington on horseback" pattern appeared about 1835 and was produced over a long period of time. His earlier coverlets show four large circular medallions which were nearly square. Later he added a row of smaller motifs at the top to serve as the bolster cover.
About 1840, the "Excelsior" design, adapted from the New York State Emblem, was used in the corners in place of "Washington on Horseback." Coverlets showing this emblem are rarer and are as a rule not dated." Mildred Davison and Christa C. Mayer-Thurman, Coverlets: A Handbook on the Collection of Woven Coverlets in The Art Institute of Chicago, exh. cat. (Chicago: Art Institute of Chicago, 1973), 100.
95 × 71 1/4 inches.
Property from the Art Institute of Chicago
Gift of Dr. Frank W. Gunsaulus
Provenance: Frances Smalley Babbitt (1847–1929), Ypsilanti, Washtenaw County, MI [note, May 9, 1984; copy in curatorial object file]; sold to Frank W. Gunsaulus (1856–1921), Chicago, by 1911 [Day Book 4, 3, and Ledger Book 1900–1913; in Institutional Archives; Davison and Mayer-Thurman 1973, 73]; given to the Art Institute of Chicago, 1911.
Display and Loan History: Art Institute of Chicago, American Coverlets, July 14–Oct. 14, 1973.
Publication History: "Collection of American Coverlets," Bulletin of the Art Institute of Chicago 4, 4 (Apr. 1911): 62 (discussed; not illustrated).
Mildred Davison and Christa C. Mayer-Thurman, Coverlets: A Handbook on the Collection of Woven Coverlets in The Art Institute of Chicago, exh. cat. (Chicago: Art Institute of Chicago, 1973), 100.