Guy Carleton Wiggins

(American, 1883-1962)

New York City–Winter, 1944

oil on canvas

signed Guy C Wiggins (lower right); also dated on label affixed to stretcher

24 x 20 in.

Property from a Private Collection, Denver, Colorado.

This lot is accompanied by a letter of authentication from Noel Wiggins. We would like to thank Noel Wiggins for his kind assistance in cataloguing this lot.

Provenance:

R. H. Love Galleries, Chicago, Illinois.

Joan Whalen Fine Art, New York, New York.

Owen Gallery, New York, New York.

Exhibited:

Huntsville, Huntsville Museum of Art, "American Images from the Turn of the Century: The Frigon Collection," December 10, 1995 – February 11, 1996 (traveling to Chicago, R. H. Love Galleries, May 8 – June 8, 1996).

Chicago, R. H. Love Galleries, "American Winter Scenes of Yesteryear," December 14, 1996 – February 8, 1997.

Framed: 32 1/2 x 28 1/2 in.

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December 1st-6th, 10am-5pm
December 7th by appointment

Please contact the Auction Specialist for details.

Adam Veil

VP, Head of Department, American Art and Pennsylvania Impressionists

[email protected]267.414.1221

Adam Veil serves as Vice President and a Fine Art Specialist at Freeman’s.

Veil joined Freeman’s in 2021 following years of experience in both the auction world and the academy. His area of specialization is pre-WWII American Art, although he has lectured and published on topics ranging from Mexican landscape painting and Old Master printmaking to art market economics.

Veil earned a Bachelor of Arts and Master of Arts in art history from Penn State University and pursued doctoral studies at Indiana University Bloomington. Prior to joining Freeman’s, Veil was Head of Fine Art at a Washington, D.C.-area auction house, and Executive Director of the Santa Fe Art Auction, where he oversaw market-setting auctions of classical and contemporary Western, Southwestern, and California art. He has also held positions in provenance research, art fair operations, and as editor and producer of The Conversation, a popular Los Angeles–based contemporary art podcast. Concurrent with his role at Freeman’s, Veil is a professor at Mansfield University of Pennsylvania, where he teaches courses in Renaissance, Modern, and American art history.

American Art and Pennsylvania Impressionists

New York City–Winter, 1944

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