Frederick Carl Frieseke

(American, 1874-1939)

Artist's Daughter at the Piano, 1934

oil on canvas

signed F. C. Frieseke and dated (lower right)

32 1/4 x 32 1/4 in.

Property from the Collection of Phyllis and Fred Pressman

This painting is included in the draft Frieseke Catalogue Raisonné compiled by Nicholas Kilmer, the artist’s grandson, with the support of Hollis Taggart. That draft is now in the collection of the Smithsonian Institution, Archives of American Art.

Framed: 42 5/8 x 42 5/8 in.

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Adam Veil serves as Vice President and a Fine Art Specialist at Freeman’s.

Veil joined Freeman’s in 2021 following years of experience in both the auction world and the academy. His area of specialization is pre-WWII American Art, although he has lectured and published on topics ranging from Mexican landscape painting and Old Master printmaking to art market economics.

Veil earned a Bachelor of Arts and Master of Arts in art history from Penn State University and pursued doctoral studies at Indiana University Bloomington. Prior to joining Freeman’s, Veil was Head of Fine Art at a Washington, D.C.-area auction house, and Executive Director of the Santa Fe Art Auction, where he oversaw market-setting auctions of classical and contemporary Western, Southwestern, and California art. He has also held positions in provenance research, art fair operations, and as editor and producer of The Conversation, a popular Los Angeles–based contemporary art podcast. Concurrent with his role at Freeman’s, Veil is a professor at Mansfield University of Pennsylvania, where he teaches courses in Renaissance, Modern, and American art history.

American Art and Pennsylvania Impressionists

Artist's Daughter at the Piano, 1934

American Art and Pennsylvania Impressionists

Artist's Daughter at the Piano, 1934

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