Kei (Key) Sato

(Japanese, 1906-1978)

Lagune, 1964

oil and mixed media on canvas

signed Key Sato and dated (lower right); signed, titled and dated (verso)

45 1/2 x 35 inches.

This lot is located in Philadelphia.

Provenance:

World House Galleries, New York

Framed: 48 x 38 x 2 inches.

The painting is in overall fair to good condition. Scattered small and pinpoint losses throughout; the largest, visible in the upper right quadrant, measures approximately 1/2 inches square; craquelure scattered throughout, primarily concentrated to areas of heavier impasto. Additional images available upon request.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

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Please contact the Auction Specialist for details.

Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

Aaron Cator

Senior Specialist, Post War & Contemporary Art

[email protected]646.864.1746

Mr. Cator brings years of deep and wide-ranging art industry experience to his role. Prior to joining Freeman's, he operated his own art advisory firm where he worked with new and seasoned collectors to build customized art collections. He previously worked for David Zwirner for nearly seven years, where he spearheaded a robust annual rollout of key client development and marketing initiatives in the United States and internationally in London, Paris, and Hong Kong. Cator was an early member of the gallery’s marketing department, supporting the needs of both the gallery’s distinguished stable of artists and global client base.
Before his role at Zwirner, Cator held a number of curatorial research positions, including at the Whitney Museum of American Art where he worked under Senior Curator of Painting and Sculpture Barbara Haskell, as well as at the Museum of Modern Art under Roxana Marcoci, the David Dechman Senior Curator of Photography.
Cator holds a bachelor’s degree in Art History and Political Science from Santa Clara University. He also pursued graduate studies in Art History at Hunter College and The Graduate Center, City University of New York, with a concentration on social documentary and contemporary photography.

Post War and Contemporary Art

Lagune, 1964

Post War and Contemporary Art

Lagune, 1964

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