Oscar Edmund Berninghaus

(American, 1874-1952)

Indian on Horse, 1908

oil on canvas laid to Masonite

signed Berninghaus, inscribed Taos, N.M., and dated (lower left)

14 x 11 inches.

Property from the Estate of Richard and Deanna Freeland, Fort Wayne, Indiana

This lot is located in Denver.

Provenance:

Altermann & Morris Galleries, Dallas, Texas.

Acquired directly from the above.

Exhibited:

Fort Wayne, Fort Wayne Museum of Art, "Fort Wayne Collects: Three Viewpoints," March 17 - May 6, 2012.

Framed: 19 x 16 1/4 inches.

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November 1, By appointment
Monday - Wednesday 10-5

Adam Veil serves as Vice President and a Fine Art Specialist at Freeman’s.

Veil joined Freeman’s in 2021 following years of experience in both the auction world and the academy. His area of specialization is pre-WWII American Art, although he has lectured and published on topics ranging from Mexican landscape painting and Old Master printmaking to art market economics.

Veil earned a Bachelor of Arts and Master of Arts in art history from Penn State University and pursued doctoral studies at Indiana University Bloomington. Prior to joining Freeman’s, Veil was Head of Fine Art at a Washington, D.C.-area auction house, and Executive Director of the Santa Fe Art Auction, where he oversaw market-setting auctions of classical and contemporary Western, Southwestern, and California art. He has also held positions in provenance research, art fair operations, and as editor and producer of The Conversation, a popular Los Angeles–based contemporary art podcast. Concurrent with his role at Freeman’s, Veil is a professor at Mansfield University of Pennsylvania, where he teaches courses in Renaissance, Modern, and American art history.

Western and Contemporary Native American Art

Indian on Horse, 1908

Western and Contemporary Native American Art

Indian on Horse, 1908

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