Fine Books and Manuscripts

Andy Warhol, by Moderna Museet (Stockholm, 1968); David Hockney, by David Hockney (New York, 1976); Henri Matisse: A Retrospective, by John Elderfield (New York, 1992); Roy Lichtenstein: Drawings and Prints, by Paul Bianchini (New York, 1973); Jasper Johns, by Max Kozloff (New York, 1967); Jim Dine, by David Shapiro (New York, 1981); Roy Lichtenstein, by Jack Cowart (New York, 1981); Keith Haring, by Elizabeth Sussman (New York, 1996); Karel Appel: Works on Paper, by Kenneth White (New York, 1980); Henri Matisse: Paper Cut-Outs, by Jack Cowart (St. Louis, 1977); Egon Schiele, by Jane Kallir (New York, 1994); Complete Works of Marino Marini, by Patrick Waldberg (New York, 1970); Willem de Kooning, by Judith Zilczer (New York, 1993); De Kooning, by Harold Rosenberg (New York, 1973);

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

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