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Impressionist and Modern Art, Featuring the Collection of John and Rosetta Gernon
|
- Sale 2087
Live
| Philadelphia
Oct 28 | 12:00 PM EDT
Live
| Philadelphia
Sale 2087
| Philadelphia
| Philadelphia
Estimate$40,000 – $60,000
We wish to thank Mr. Nicolas Descharnes for confirming the present work is listed in the artist's Archives under the number d0337_1962.
Provenance:
Collection of Mrs. Catherine Perrot.
Sotheby's, London, n.d. (sold to benefit Fondation Perrot-Moore).
Lot Essay:
The present work is the original preparatory illustration for one of the subjects of the 1973 print series La Vida es Sueño (Life's a Dream). The full series, which includes 12 engravings (all made after original drawings by Dalí), was published by John Peter Moore, Dalí's personal secretary.
Written in 1635 by Pedro Calderón de la Barca, Life’s a Dream is a Baroque play that encapsulates the metaphysic questionings of 17th Century Spain, as it delivers a reflection on dream and reality, play and illusion - themes that appealed to Dalí for whom, "life is a farce and the world a theater." The present work depicts two fighting cavaliers in a Spanish Renaissance courtyard, which would reappear in several other works from the series. Both helmeted and wielding a lance at each other, they recall the paintings of Saint George slaying the dragon by Raphael, or the chaotic battle scenes by Paolo Uccello.
In handling both media so expertly and rapidly, Dalí not only proves his high sense of draftsmanship, but also showcases his talent as a set designer (he had in fact already painted half a dozen sets for Anthony Tudor’s Romeo and Juliet while in New York at the onset of WWII). Above all, the work reveals the artist’s ongoing fascination with horsemen, which appear frequently in Dalí’s oeuvre, at times to evoke Don Quixote (a character the artist was particularly drawn to, and proud of, from a Spanish standpoint), others as a metaphor for death, which both obsessed and terrified Dalí - as revealed by the menacing presence of a skull in the bottom left corner of the present composition.
In overall very good condition. The work is executed on a wove sheet stamped with 'Rives' watermark verso. It is folded in two and affixed to the verso of the mat via a piece of white mesh paper tape up top and at bottom verso. With remnants of similar tape at bottom left and at center left verso. With remnant of old brown paper tape at bottom right (verso). The sheet is gently toned (especially verso), with mat staining around the image once the mat is removed. Small brown surface smudges at center left (behind the left caballero) and at center right (on the horse's tail). With uneven edge at right, and evidence of folding along the bottom outer edge (which only slightly pops out of the mat). Some scratching associated with the long inky lined (spears), which are part of the artist's working method. Also visible at bottom left corner, around and on the skull. The sheet remains relatively flat, with a few small, minor creases at bottom center in the background and at upper left. The ink at top is very shiny.
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