Maurice de Vlaminck

(French, 1876-1958)

La Ferme dans les Avoines, c. 1945-1946

Gouache, pen and black ink on paper

Signed Vlaminck (lower right)

Sheet size: 11 7/8 x 13 3/8 in. (30.2 x 34cm)

Property from a Private Collector, Wisconsin

This work is recorded in the archives of the Wildenstein Institute.

Provenance:

David B. Findlay Galleries, New York, New York.

The Mint Museum of Art, Charlotte, North Carolina (acquired by 1964).

Christie's East, New York, sale of November 10, 1998, lot 22.

Acquired directly from the above sale by the present owner.

Lot Note:

The present artwork was one of thirty gouaches painted in 1945-1946 to illustrate La Table aux Crevés by Marcel Amyé and published by Éditions Flammarion in 1960.

Framed: 20 3/8 x 21 5/8 inches.
Minor deposits of surface dirt and dust; sheet is hinged to an additional, smaller sheet on upper right and left verso corners, with lower right and left corners also attached to this smaller sheet; moderate waviness to sheet, caused by the heavy application of pigments; two localized areas of paint separation in the center and one localized area of paint separation in the center right, within the white pigments. Under UV light: no apparent inpainting is visible. Additional images available upon request.

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Raphaël Chatroux is the Head of Department for Freeman's Impressionist & Modern Art.

Chatroux joined Freeman’s in 2016 as a Fine Art department intern. Later that year, he was the Samuel M. Freeman II Fellowship recipient and was promoted to cataloguer. Since his arrival, he has developed an expertise for a wide range of American and European art. He worked closely with Chairman Alasdair Nichol on the successful sales of The Collections of Heidi Bigham Stott in 2020 and The Peltz Collection of Pennsylvania Impressionists in 2021. Chatroux is associated with recent world records obtained for artists Cecilia Beaux, Emma Fordyce McRae, and Bo Bartlett. He was also instrumental in the acquisition of a Berthe Morisot oil painting by the Musée Marmottan Monet in Paris. As a native of France, Chatroux has worked in various art centers in Paris including Hôtel Drouot, where he oversaw auctions of fine wine and good spirits and the Palace of Versailles, where he conceived and curated several bilingual audio-guide tours. Chatroux graduated from Paris-Sorbonne University with a degree in art history; he also holds a master’s degree in art law.

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