[Art] [Hugo, Jean] Group of 21 Titles

1. Hugo, Jean, and Valery Larbaud, and Tristan Tzara, et al. les feuilles libres. (Paris): Mars-Avril, 1925. 8vo. Publisher’s stiff printed wrappers.

2. [Hugo, Jean]. Ancient and Recent Paintings by Jean Hugo. New York: Demotte, 1931. 12mo. Publisher’s stiff printed wrappers; text with pencil annotations, presumably by Richard Wattenmaker.

3. [Hugo, Jean]. Etablissements Nicolas… (Paris), 1933. Square 12mo. Publisher’s stiff pictorial spiral-bound wrappers.

4. [Hugo, Jean] Eluard, Paul. En Avril 1944: Paris Respirait Encore! Paris: Editions de la Galerie Charpentier, (1945). First and limited edition, #735/947 copies (from a total edition of 1,021). Folio. Publisher’s stiff printed wrappers, in glassine.

5. [Hugo, Jean] D’Astier, Emmanuel. Sept Fois Sept Jours. Lausanne: La Guilde du Livre, (1956). 8vo. Publisher’s blue cloth, stamped in white; scattered foxing.

6. [Hugo, Jean]. Exposition Jean Hugo... (Montpellier): Musee Fabre, 1964. 12mo. Publisher’s limp printed wrappers.

7. Hugo, Jean. Avant d’oublier 1918-1931. (Paris): Fayard, (1976). 8vo. Publisher’s stiff printed wrappers.

8. [Hugo, Jean]. Paintings and Drawings by Jean Hugo and Jean Cocteau. London: Sotheby Parke Bernet & Co., 1981. Publisher’s stiff printed pictorial wrappers.

9. Hugo, Jean. Le Regard de la Memoire. (Paradou): Actes Sud, (1983). Narrow 8vo. Publisher’s pictorial stiff printed wrappers.

10. Hugo, Jean. Voyage a Moscou et Leningrad. (Arles): Actes Sud, (1984). Narrow 8vo. Publisher’s pictorial stiff printed wrappers.

11. Hugo, Jean. Costumes pour L’Homme Qui Rit de Victor Hugo. Paris: Maison de Victor Hugo, (1984). 8vo. Publisher’s stiff printed wrappers.

12. Hugo, Jean. Carnets 1946-1984. (Arles); Actes Sud, (1994). Narrow 8vo. Publisher’s stiff printed pictorial wrappers.

13. [Hugo, Jean]. Jean Hugo. Paris: Maison de Victor Hugo, 1995. 4to. Publisher’s stiff printed pictorial wrappers; unopened and in original shrink-wrap.

14. Hugo, Jean. Petit Office de Notre-Dame. Paris: Les Editions de L’Oeuvre D’Art, (1994). 8vo. Publisher’s stiff printed wrappers; in original blue cloth slip case.

15. [Hugo, Jean]. Centenaire Jean Hugo 1894/1994 “Le patrimoine Lunellois”. Lunel: Espace Louis Feuillade, (1994). 4to. Publisher’s stiff printed pictorial wrappers.

16. [Hugo, Jean]. Dessins des annees de guerre (1915-1919). (Arles): Actes Sud, etc., (1994). 4to. Publisher’s stiff printed pictorial wrappers.

17. [Hugo, Jean]. Dessins des annees de guerre (1915-1919). Blerancourt: Musee National de la Cooperation Franco-Americaine, 1994. Loose printed sheets in stiff printed pictorial folder. With an autograph letter, signed by Lauretta Hugo, to Richard and Eva Wattenmaker, dated October 1995, laid in.

18. [Hugo, Jean]. Jean Cocteau Correspondence Jean Hugo. (Montpellier): Universite Paul Valery, 1995. 8vo. Publisher’s stiff printed pictorial wrappers.

19. [Hugo, Jean] Boutonnet, Christian, and Catherine Boutonnet, and Rafael Ortiz. Jean Hugo. Paris, 1995. 4to. Publisher’s stiff wrappers, stamped in blind.

20. [Hugo, Jean]. Jean Hugo La mer et la Bretagne. Morlaix: Le Musee des Jacobins, 2001. 4to. Publisher’s stiff printed pictorial wrappers.

21. [Hugo, Jean] Vilmorin, Louise de. L’Alphabet des Aveux. France: Le Promeneur, (2004). Narrow 8vo. Publisher’s stiff printed pictorial wrappers, with paper wrap-around band.

22. [Hugo, Jean] Rouanet, Marie. Murmures pour Jean Hugo. France: Albin Michel, (2013). 12mo. Publisher’s stiff printed pictorial wrappers.

The Collection of Richard J. and Eva Wattenmaker, Pennsylvania

This lot is located in Philadelphia.

Raphaël Chatroux

VP, Head of Department, Impressionist & Modern Art

raphaelchatroux@freemansauction.com 267.414.1253

Raphaël Chatroux is the Head of Department for Freeman's Impressionist & Modern Art.

Chatroux joined Freeman’s in 2016 as a Fine Art department intern. Later that year, he was the Samuel M. Freeman II Fellowship recipient and was promoted to cataloguer. Since his arrival, he has developed an expertise for a wide range of American and European art. He worked closely with Chairman Alasdair Nichol on the successful sales of The Collections of Heidi Bigham Stott in 2020 and The Peltz Collection of Pennsylvania Impressionists in 2021. Chatroux is associated with recent world records obtained for artists Cecilia Beaux, Emma Fordyce McRae, and Bo Bartlett. He was also instrumental in the acquisition of a Berthe Morisot oil painting by the Musée Marmottan Monet in Paris. As a native of France, Chatroux has worked in various art centers in Paris including Hôtel Drouot, where he oversaw auctions of fine wine and good spirits and the Palace of Versailles, where he conceived and curated several bilingual audio-guide tours. Chatroux graduated from Paris-Sorbonne University with a degree in art history; he also holds a master’s degree in art law.

Lynda Cain

VP, Head of Department, American Furniture, Folk and Decorative Arts

lyndacain@freemansauction.com 267.414.1237

Lynda Cain serves as a Vice President of Freeman's and is the Head of Department for American Furniture, Folk and Decorative Arts.
She specializes in American furniture and decorative arts, Native American art, American folk art, and Pennsylvania furniture and decorative arts.
Cain joined Freeman's in 2001 as the company's first American furniture and decorative arts specialist. She began her career in American Decorative Arts as assistant curator at the Detroit Historical Museum. In 1984 she became curator of costume at the Detroit Historical Museum. In 1986, she relocated to Cambridge, Massachusetts and switched from museum work when she joined the American Furniture and Decorative Art Department at Skinner Inc., Bolton and Boston, Massachusetts. Before leaving New England in 1997, she had the great pleasure of directing the cataloguing project of the Folk Art Collection of Nine Fletcher and Bertram K. Little at Cogswell’s Grant, Essex, Massachusetts for the Society of the Preservation of New England Antiquities, now Historic New England. Ms. Cain joined the cast of the popular PBS series Antiques Roadshow in Season 19.
Growing up in Grosse Pointe, Michigan, she was greatly influenced by the rich collections of American paintings, furniture, and decorative arts held by Greenfield Village and the Henry Ford Museum. She notes her good fortune of working in our two great “attic states:” Massachusetts and Pennsylvania. Each Commonwealth has tremendous inventory of historic material, great institutions, and citizens who treasure their inherited and collected items. Cain appears on the television Antiques Roadshow as an appraiser of decorative and folk arts.

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

[Art] [Hugo, Jean] Group of 21 Titles

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