Julia Thecla

(American, 1896-1973)

The Fire, 1946

gouache on panel

signed Julia Thecla and dated (lower right); inscribed with artist's name, title and Property of Karl Priebe (frame backing paper)

16 3/4 x 10 3/4 inches.

Provenance:

Karl Priebe, Milwaukee Wisconsin

Private Collection, Milwaukee Wisconsin

Thence by descent to the present owner

Framed: 21 1/2 x 15 1/4 inches.

Minor deposits of surface dirt and dust; one vertical hairline scratch each extending from the upper center and upper left edges, no greater in length than 1 1/2 inches; one very faint hairline scratch in the lower right corner within the woman's black dress, only visible under strong light; three small paint losses along the extreme left edge; one small paint loss on the extreme lower right edge; minor areas of rubbing from the frame along the extreme edges. Under UV light: no apparent inpainting is visible. Please request additional images.

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Zack Wirsum

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Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

Aaron Cator

Senior Specialist, Post War & Contemporary Art

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Mr. Cator brings years of deep and wide-ranging art industry experience to his role. Prior to joining Freeman's, he operated his own art advisory firm where he worked with new and seasoned collectors to build customized art collections. He previously worked for David Zwirner for nearly seven years, where he spearheaded a robust annual rollout of key client development and marketing initiatives in the United States and internationally in London, Paris, and Hong Kong. Cator was an early member of the gallery’s marketing department, supporting the needs of both the gallery’s distinguished stable of artists and global client base.
Before his role at Zwirner, Cator held a number of curatorial research positions, including at the Whitney Museum of American Art where he worked under Senior Curator of Painting and Sculpture Barbara Haskell, as well as at the Museum of Modern Art under Roxana Marcoci, the David Dechman Senior Curator of Photography.
Cator holds a bachelor’s degree in Art History and Political Science from Santa Clara University. He also pursued graduate studies in Art History at Hunter College and The Graduate Center, City University of New York, with a concentration on social documentary and contemporary photography.

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Please email [email protected] for any additional information or questions you may have regarding this lot.

Post War and Contemporary Art

The Fire, 1946

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