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European Art
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- Sale 1297
Live
| Chicago
May 16 | 10:00 AM CDT
Live
| Chicago
Sale 1297
| Chicago
| Chicago
Estimate$5,000 – $7,000
Provenance:
William & Eleanor Wood Prince, Chicago
Sold: Christie's, New York, February 10, 2009, Lot 82 (as Attributed to François-Hubert Drouais (French, 1727-1775) and titled Portrait of a Young Nobleman)
The present work is a copy of a portrait currently in the collection of the Chateau de Versailles. The artist, Jean-Martial Frédou, was Copyist of the King's Cabinet, and responsible for duplicating the portraits of members of the royal family painted by Nattier, La Tour, Natoire, Louis-Michel Vanloo, Roslin, and Duplessis. He was also a portraitist in his own right. Between 1760 and 1762, Frédou produced eleven portraits of the Children of France at the request of their mother, the Dauphine Marie-Josèphe de Saxe, including possibly the present example. These were painted either in oil or drawn with three pencils (black chalk, red chalk and white chalk) enhanced with pastel. The drawn portraits were almost certainly done from the live model, as the technique lent itself to shorter posing sessions.
The Duke of Burgundy (September 13, 1751 – March 22, 1761) was the eldest son of the Dauphin Louis, himself the son of Louis XV. As a French prince of the House of Bourbon, Louis-Xavier-Joseph was second-in-line to the throne of France, ranking only behind his father. Sadly, the boy died at the young age of nine from tuberculosis. In the present portrait, the child appears dressed in a sumptuously embroidered garment and wears the badges of the Order of the Holy Spirit and the Order of the Golden Fleece, with a tricorn partially visible under his left arm. With his soft gaze and slight smile, the artwork is an exceptional example of Frédou's ability to capture his sitter's psychological acuity and humanity.
Framed: 29 3/4 x 24 x 3 1/2 inches.
Minor deposits of surface dirt and dust; canvas does not appear to be lined, though paint surface is somewhat irregular in texture; stretcher bar marks around image perimeter; network of craquelures throughout surface, with a small area of ground visible to the left of the boy's face, as well as a pinpoint spot of ground visible to the left of the blue sash; small paint losses scattered along extreme upper center, left, and right edges; one pinpoint paint loss to the left of the blue sash, in the background, pinpoint spots of inpainting in the red sash, to the right of the boy's shoulder, as well as along the center left edge; a small raised area to the paint surface in the center left of the background, with likely inpainting; pinpoint off-white paint flecks scattered along left side; under a highly reflective varnish. Under UV light: varnish layer prohibits viewing of any possible inpainting. Additional images available upon request.
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Madalina Lazen
VP Head of Department, Old Masters & 19th Century European Art
