Eugene Francis Savage

(American, 1883-1978)

The Fisherman (Woman in Net), 1948

oil on canvas

signed E. Savage and dated (lower left)

25 1/2 x 30 inches.

Provenance:

The Philip and Suzanne Schiller Collection of American Social Commentary Art, 1930 - 1970, Highland Park, Illinois

Exhibited:

Chicago, Illinois, Terra Museum of American Art, In the Eye of the Storm: An Art of Conscience, 1930 - 1970 - Selections from the Collection of Philip J. and Suzanne Schiller, October 27, 1995 - January 7, 1996, no. 40 (this exhibition also traveled to Greenville, South Carolina, Greenville County Museum of Art, January 24 - March 31, 1996; Lincoln, Nebraska, Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, April 12 - June 23, 1996; Knoxville, Tennessee, Knoxville Museum of Art, July 19 - September 29, 1996; Southampton, New York, The Parrish Art Museum, October 26, 1996 - January 5, 1997; West Palm Beach, Florida, Norton Museum of Art, March 8 - April 20, 1997; Minneapolis, Minnesota, Frederick R. Weisman Art Museum, January 23 - March 22, 1998)

Rosalyn Harbor, New York, Nassau County Museum of Art, The WPA Decade: Social Realism of 1933 - 1943, August 15 - October 31, 2004

Literature:

Frances K. Pohl, In the Eye of the Storm: An Art of Conscience, 1930 - 1970 - Selections from the Collection of Philip J. and Suzanne Schiller, Chameleon Books/Pomegranate Artbooks, San Francisco, California, 1995, pp. 80-81, illus.

Framed: 34 1/2 x 39 inches.

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Senior Specialist, Post War & Contemporary Art

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Mr. Cator brings years of deep and wide-ranging art industry experience to his role. Prior to joining Freeman's, he operated his own art advisory firm where he worked with new and seasoned collectors to build customized art collections. He previously worked for David Zwirner for nearly seven years, where he spearheaded a robust annual rollout of key client development and marketing initiatives in the United States and internationally in London, Paris, and Hong Kong. Cator was an early member of the gallery’s marketing department, supporting the needs of both the gallery’s distinguished stable of artists and global client base.
Before his role at Zwirner, Cator held a number of curatorial research positions, including at the Whitney Museum of American Art where he worked under Senior Curator of Painting and Sculpture Barbara Haskell, as well as at the Museum of Modern Art under Roxana Marcoci, the David Dechman Senior Curator of Photography.
Cator holds a bachelor’s degree in Art History and Political Science from Santa Clara University. He also pursued graduate studies in Art History at Hunter College and The Graduate Center, City University of New York, with a concentration on social documentary and contemporary photography.

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Eugene Francis Savage

(American, 1883-1978)

The Fisherman (Woman in Net), 1948

oil on canvas

signed E. Savage and dated (lower left)

25 1/2 x 30 inches.

Provenance:

The Philip and Suzanne Schiller Collection of American Social Commentary Art, 1930 - 1970, Highland Park, Illinois

Exhibited:

Rosalyn Harbor, New York, Nassau County Museum of Art, The WPA Decade: Social Realism of 1933 - 1943, August 15 - October 31, 2004

Literature:

Framed: 34 1/2 x 39 inches.

Please email [email protected] for any additional information or questions you may have regarding this lot.

Modern & Contemporary Art

The Fisherman (Woman in Net), 1948

Modern & Contemporary Art

The Fisherman (Woman in Net), 1948

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