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European Furniture & Decorative Arts
|
- Sale 1145
Live
| Chicago
Apr 13 | 11:00 AM EDT
Live
| Chicago
Sale 1145
| Chicago
| Chicago
Estimate$10,000 – $15,000
Provenance:
Ronald A. Lee, London, 22 October 1979 (sold as circa 1660-70; with invoice)
Exhibited:
The Somerset House Art Treasures Exhibition, London, 1979, Exhibit no. W14 (one labeled)
Note:
A nearly identical pair to the present example is in the collection of the Victoria and Albert Museum and attributed to the makers Anthony Hatch or Stephen Pilcherd, both members of the Armourers and Brasiers Company. The V&A's candlesticks were formerly in Warwick Castle along with a group of similar enameled cast brasswares, including mirror frames, stirrups, andirons, sconces, and sword hilts. The repeated use of identical molds amongst these wares strongly evidences that the Warwick grouping was the work of one workshop; that the V&A's candlesticks are virtually identical to the present lot suggests that they were likely originally part of the same Warwick collection.
'Surrey Enamels,' originally named after the author Charles R. Beard's attribution of such wares to a factory in Esher, Surrey in 1931 (which evidence has since been found against), are distinguished for their unique method of production—rather than engraved (champlevé) or enclosed (cloisonné), the fields to be enameled were cast in the original molds, then filled with enamels prior to firing.
Each in overall good, stable condition. Having a somewhat uneven patina to brass elements. One example with description label and "Somerset House" label on underside. The candlesticks disassemble into four component parts. The drip pans are warped slightly out of round but largely not noticeable unless viewed closely. Some candle wax remnants and surface grime consistent with age and use. Examination under UV light shows fluorescence from wax remnants, does not show fluorescence from restoration to enamel. Additional images available upon request.
Condition reports are available upon request. All lots are sold “as is,” in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.
The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.
Please email [email protected] for any additional information or questions you may have regarding this lot.
To request further details about this lot, please email [email protected]
Corbin Horn
Vice President, Head of Department, European Furniture & Decorative Arts
