Three Chanel Jewelry Pieces: Earrings and Cuff by Robert Goossens and Pendant Necklace, 1954-74

This piece was once owned by Erna de Paz Ortiz Basualdo, the granddaughter of a prominent Argentinian family that hosted royalty in their Buenos Aires home, the Palacio Ortiz Basualdo. Erna de Paz Ortiz Basualdo was likewise known for her style, in fashion and at home, and was an ongoing client of Pierre Cardin’s.

Gold-tone chain with metallic cord and large pendent with intricate design on the back stamped "Chanel" in the middle. The pendent reads "Regarde St. Cristophe Et Paris Rassure" with an engraved image depicting St. Christopher with a child. The chain is stamped "Chanel" at the clasp where the pendent attaches.
THE FIRST
Label: Chanel

Style/Serial No.: Not labeled

Approximate Measurements:

Length: 38"

Width: 1.5" (pendent)

Drop: 19"

Gold-tone cuff in the shape of a snake with red glass eyes. The cuff has a spring opening.
THE SECOND
Label: Chanel
Style / Serial No.: Marked Chanel with three stars, indicating the piece dates to 1954-1971.

Approximate Measurements:
Circumference: 11"

Gold-tone ear clips with large faux pearl drop and glass beads, encompassed in a gold-tone bird design.
Label: Chanel
THE THIRD
Style/Serial No.: Not labeled

Approximate Measurements:
Length: 2.5"
Width: 1.5"
Drop: 1.5"

Condition:

THE FIRST

The overall condition is fair the pendent has come loose from its backing. The gold-tone chain has faded in some spots with the metallic cord also showing signs of wear.

THE SECOND
The overall condition is good with wear throughout, the gold-tone at the interior of the cuff has started to wear off. The spring in the cuff has started to rust.

THE THIRD
The overall condition is good with some faint surface scratches to the faux pearl.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email [email protected] with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email [email protected] for any additional information or questions you may have regarding this lot.

Timothy Long

Director, Senior Specialist, Couture & Luxury Accessories

[email protected]312.334.4222

Mr. Long has nearly 20 years of experience as a curator of fashion and decorative arts in museums including the Museum of London, the Museum at the Fashion Institute of Technology in New York, and the Chicago History Museum. At Hindman, he works with individual clients, collectors, dealers, and museums to bring to auction collections of couture and luxury accessories. Mr. Long’s recent publications include Charles James: Designer in Detail and a chapter on the same designer in London Couture: British Luxury 1923–1975, both published by V&A Publishing.

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Three Chanel Jewelry Pieces: Earrings and Cuff by Robert Goossens and Pendant Necklace, 1954-74

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