Three Chanel Sleeveless Tops, 2010s

After four decades at Chanel, Lagerfeld earned a legacy as a creative force that reinvigorated the heritage label, infusing it with postmodern playfulness while honoring its roots. Equally versed in the languages of popular culture and the craft and traditions of couture, a combination described as ‘high fashion and high camp’, Lagerfeld’s reinvention of the brand and marketing savvy created a voracious appetite among young buyers, sealing the fate of the iconic double CC logo into this century’s visual lexicon.

This lot contains three sleeveless tops.

THE FIRST
Black cotton sleeveless paneled top with fold-down collar sequired with two cuff-link-like chains at the v-neckline, and netted ruffles with polka-dot detailing.
Label: Chanel, Spring 2004

Size Label: 40

Approximate Measurements:

Shoulders: 15.75"

Chest: 36.75"

Waist: 35"

Hips: 38.75"

Length (high shoulder point to hem): 27"

THE SECOND
White cotton sleeveless top with pointed collar and center front button closure. The center front neckline closes with three faux pearl Chanel buttons.
Label: Chanel, Autumn 2004

Size Label: 38

Approximate Measurements:

Shoulders: 13.5"

Chest: 35"

Waist: 32.25"

Hips: 33.5"

Length (high shoulder point to hem): 22.5"

THE THIRD
White textured silk sleeveless vest with v-neckline, two front hip welt pockets, center back tie, and front button closure of faux pearl buttons that feature the CC logo. Comes with original retail tag.
Label: Chanel

Size Label: 42

Approximate Measurements:

Shoulders: 13.5"

Chest: 37.5"

Waist: 34.25"

Hips: 35.25"

Length (high shoulder point to hem): 20.75"

Property from the Private Collection of a Georgia Lady

This lot is located in Chicago.

Condition:

THE FIRST
The overall condition is very good with no visible issues.

THE SECOND
The overall condition is good. There are small spots on the front left panel along the hem, the interior of the neckline, and the interior along the right armhole.

THE THIRD
The overall condition is very good with no visible issues.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email us with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email [email protected] for any additional information or questions you may have regarding this lot.

Timothy Long

Director, Senior Specialist, Couture & Luxury Accessories

[email protected]312.334.4222

Mr. Long has nearly 20 years of experience as a curator of fashion and decorative arts in museums including the Museum of London, the Museum at the Fashion Institute of Technology in New York, and the Chicago History Museum. At Hindman, he works with individual clients, collectors, dealers, and museums to bring to auction collections of couture and luxury accessories. Mr. Long’s recent publications include Charles James: Designer in Detail and a chapter on the same designer in London Couture: British Luxury 1923–1975, both published by V&A Publishing.

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Three Chanel Sleeveless Tops, 2010s

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