Two Lilli Ann Jackets, 1940-50s

This lot includes two jackets.

Founded by Adolph Schuman in 1934, the San Francisco-based label was named for the proprietor’s wife, Lillian Brown. Lilli Ann was founded thanks to an $800 loan, enabling Schuman to transition from wholesale fashion to creating his own line of womenswear. Schuman developed key partnerships with Jean Wright and Billie Dugan, young women who began as models for the brand, and later served as pattern cutters and lead designers. Savvy in his dealings, Schuman began purchasing large quantities of fine fabrics from small European textile mills in the 1950s, helping to revitalize the French and Italian textile industries which had been decimated by the Second World War.

THE FIRST
Tan slubbed wool single breasted jacket with peaked lapel, set in long sleeves, 'V' shaped detailing, notched hem, and center front rhinestone encrusted button closure.
Label: An Original from Lilli Ann of San Francisco
Size Label: Unlabeled

Approximate Measurements:
Shoulders: 16"
Chest: 35.75"
Waist: 29"
Hips: 36.75"
Length (high shoulder point to hem): 24"
Sleeve (center back neck to hem): 31.25"

THE SECOND
Black wool jacket with spread collar, set in long sleeves, pink, white, and black satin stripe detail, two front slit pockets, and center front button closure.
Label: An Original from Lilli Ann of San Francisco
Size Label: Unlabeled

Approximate Measurements:
Shoulders: 16"
Chest: 36.5"
Waist: 30.75"
Hips: 36.25"
Length (high shoulder point to hem): 25.5"
Sleeve (center back neck to hem): 32.5"

Property from the Collection of the North Coast College

Condition:

THE FIRST
The overall condition is fair and structurally intact though there are numerous moth holes throughout.

THE SECOND
The overall condition is good. There is a small mark on the front left panel right above the slit pocket.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email us with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email [email protected] for any additional information or questions you may have regarding this lot.

Timothy Long

Director, Senior Specialist, Couture & Luxury Accessories

[email protected]312.334.4222

Mr. Long has nearly 20 years of experience as a curator of fashion and decorative arts in museums including the Museum of London, the Museum at the Fashion Institute of Technology in New York, and the Chicago History Museum. At Hindman, he works with individual clients, collectors, dealers, and museums to bring to auction collections of couture and luxury accessories. Mr. Long’s recent publications include Charles James: Designer in Detail and a chapter on the same designer in London Couture: British Luxury 1923–1975, both published by V&A Publishing.

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Two Lilli Ann Jackets, 1940-50s

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