American Historical Ephemera and Photography Featuring the Civil War and American Militaria Collection of Bruce B. Hermann

16 x 8 in. (visible) pen and ink on paper, matted and framed, 23 x 16 in. (even toning, few light spots, unexamined out of the frame). Signed and dated lower left, "Taber / 1861." An illustration showing a dismounted cavalry troop firing from behind a stone rail fence. The sketch was used to illustrate the profile "John Buford" by Russell F. Weigley in Civil War Times Illustrated, June 1966. 

Isaac Walton Taber (ca 1857-1933) is best known for his nearly 250 illustrations published in the expansive four-volume series, Battles and Leaders of the Civil War. Many of his sketches were based upon photographs taken by Civil War photographers, and therefore depict actual scenes from the war. He also contributed his artwork to magazines such as Century and St. Nicholas, and illustrated books including Rudyard Kipling's Captain Courageous and the 1928 edition of Herman Melville's Moby Dick.

While the photographic process evolved rapidly from its inception in 1839 and the wet plate process of taking photographs was coming into widespread use by the start of the Civil War, it was a cumbersome process in the field as well as in the studio. More significantly, at that time, the photographs themselves could not be reproduced as illustrations accompanying written reports of the war. As a result, publishers of newspapers and other periodicals in major cities, primarily in the North, employed a number of sketch artists who traveled with armies to draw the scenes that they witnessed. These sketches, most frequently pencil on paper with brief identifications of people and places, were then sent back by courier to the periodical publishers. The battlefield sketches received by the publishers were then copied by engraving artists onto wooden blocks, which were used in printing presses to illustrate printed articles covering the war.

Unlike the photographers of the day, who were limited to capturing the aftermath of battles, the sketch artists had the advantage of recording what they were witnessing as the events occurred before their eyes.

In the 1880s, the popular Century Magazine started publishing the narratives of Civil War veterans and retained a large number of sketch artists to illustrate the articles. They used interviews, photographs, and prior war-date sketches to produce accurate pictorial representations of the war. These illustrated accounts were incorporated into a large four-volume work entitled Battles and Leaders of the Civil War in 1881. Almost a century later, in 1973, American Heritage Magazine acquired the collection of drawings that had been held by Century Magazine, which were subsequently reproduced in The American Heritage Century Collection of Civil War Art published in 1974. Christie's conducted two public auctions in 1988, which were comprised of the remaining original Century Magazine Collection of Civil War artwork that was dispersed by American Heritage Magazine, and a number of drawings by noted battlefield artists were acquired, including the example offered today.